Nevermind

I’ve posted recently about expired film, and also about skate photography, and today’s post combines the two. The following photos were shot on Kodak Max 400 (expired in 2008) at a small DIY in Richmond. I already had this film loaded in my camera (Minolta X-700) and killed off the last few frames, realizing I haven’t shot much skate on expired film before, if at all.

One of the things I love about photographing skate is the nineties nostalgia. Visit any skate spot and find skaters in wide-leg jeans and oversized t-shirts reminiscent of mid-nineties fashion. I was fourteen years old in 1995, and my brother and I were the first kids at our high school to rock the massively-legged JNCOs that soon overtook the denim zeitgeist. We paired them with boxy band tees, Hawaiian shirts, and pierced eyebrows.

Last spring I was standing along the perimeter at Texas Beach skate park, camera in hand, waiting for the right shot to come whizzing into frame, when I found myself transported back to my adolescence—all around me, boys in baggy jeans, and blaring tinnily from a portable speaker connected to someone’s iPhone, a playlist of Rage Against the Machine and Nirvana.

I like the worn quality of expired film, the softness of the images similar to the faded graphic on a thrifted tee, how it makes you think of the year it was meant to be used. There’s a timelessness to film photographs, and to culture that pervades multiple decades, a sense that no matter where you are in time and space, you can show up and see that you have a place there.

Thanks for reading, you’re beautiful.